Interactive worskhop (2019) by DiPisaStasinski
Färgfabriken
Performative workshop by DiPisaStasinski (2017)
Through a process of dialogic aesthetics the workshop explores ideas of narrative switching
Performative workshop by DiPisaStasinski (2017)
Through a process of dialogic aesthetics the workshop explores ideas of self-regulation
Workshop by DiPisaStasinski (2016)
The project is based on two theoretical fields - studies of sacred values and story editing
Video installation by DiPisaStasinski (2011)
The work explores the balance between heroic fiction and ideological reality
Artist book (2007)
In Interview with… there are no answers only questions and the narrative that is built up is a stylistic play examining the idea of artistic originality and autonomy
Textbased artwork (2006)
The text-based work functions autonomously as such, but is at the same time a text that functions as a description of its own existence
Video (2006)
With the individual at the center, self-realization is sold as a complete package consisting of equal parts creativity, positive energy and self-confidence
Sound installation (2006)
The work claims to promise a faster and more efficient method of relaxation that might result in a cognitive dissonance, as the idea of productivity is applied to the spiritual mind
Video (2002)
In the consumer society, where the individual's main task is to be a consumer, the myth of the desirable self is created through advertising
Interactive workshop by DiPisaStasinksi (2019)
IBM
Performance by DiPisaStasinski (2017)
Part of the art project Manufacturing Heroes (2016-2017) by DiPisaStasinski
Creative workshop by DiPisaStasinski (2016
The project took as its staring point studies of sacred values and was carried out as a multi-part social performative project based on dialogic aesthetics and developed in synery with the participants
Performance by DiPisaStasinski (2015)
Building a spacial situation for value-based cultural differences through a performativ dialogue
Textbased artwork by DiPisaStaskinski (2010)
Based on propaganda, PR and Soft Power as concepts and expressions, the work explores the role of communication within the framework of the visual arts
Performance, Liljevalchs konsthall (2007)
The performative presentation of The Triumph of Emptiness, explores the gap between the real and the staged
Installation (2009)
The installation The Triumph of Emptiness explores the meaning of words in relation to the interpretation and experience of works of art
Exhibition, Kulturhuset (2006)
The exhibition The Triumph of Emptiness is as empty as the name suggests, as the actual work of art shines with its absence
Video (2005)
The horoscopes' praise of what is to come, is transformed into an intimate depictions of what has been
Video (2003)
The right personality and the design of the true self, is desirable in a market economy where the self is a salable product
Video installation (2002)
The work is based on the idea of social engineering and implements linguistics used by the Swedish education system
Interactive AI-based robotic sculpture by DiPisaStasinski (2017-2021)
Public art commision
Essay by DiPisaStasinski (2020)
Commision
Interactive worskhop by DiPisaStasinski
KVIT Conference, Linköping University
Creative workshop by DiPisaStasinski (2016)
The project explores mechanisms of story editing, an autonarrative process where counter-nattatives are investigated, forged and performed
Creative workshop by DiPisaStasinski (2016)
Through recurring dialogues a lure for destructive acts was transformed into artistic activity
Work on canvas by DiPisaStasinski (2015)
Trough Imago dialogue as a method of conversation the work explores whether individuals' horizons can ever meet
Triptych, digital print (2008)
The work takes as its starting point different visual methods to disseminate and influence political as well as commercial interests
Performance, Botkyrka konsthall (2006)
Rhetoric is used as an instrument for controlling what is said and thus how a work of art is perceived
Artist book (2006)
The Triumph of Emptiness takes the shape of a contemporary exhibition catalog and is based on the artist's interest in the relationship between artistic practice and theory
Artist book (2004)
The work combines the temptation to access someone's intimate thoughts and the desire to predict the future
Textbased work (2003)
41 CV letters combines the standardized format with a supposedly personal depiction of the self
Video (2001)
The work is based on the British Employment Service's general recommendations for jobseekers and job advertisements published in British newspapers
© 2021 Alessandra Di Pisa